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T
V Santhosh was born in Kerala and received his Bachelors in painting from the
Visva Bharati University at Shantiniketan in 1994 and his Masters in Art
from the MS University in Baroda in 1997. He has been part of several group
shows in the United States, India, Germany and Portugal and New York. He
lives and works in Mumbai.
T.V
Santhosh’s paintings have earned him front-place amongst the generation of
Indian artists that emerged during the late 1990’s.
In the earlier years Santhosh produced drawings and than moved over to works
with historical references. Then came images of war – the photographs of
wars have played a very significant role in formulating santhosh’s
language. What strikes us immediately about T.V.Santhosh is his grasp
of the crises of our globalized present and his taste for translating
current events, even as they unfold. His works can at first sight appear
cryptic and contained, but a closer examination reveals its provocative use
of images, laid out for viewing with seemingly deceptive ease. His art is
attentive to the specific idioms of contemporary global conflict, to the
diabolical pact between knowledge and terror and the skewed antagonism
between puissant globality and weakened locality. One chooses to speak most
extensively about the paintings of Santhosh because of the manner in which he
subverts the individual and the received image to create a strong historical
resonance.
He
has been appropriating in his works the logic of turning a positive
photographic image into its negative. Negative images evoke the inverse
aspects of the phenomena. As certain elements get deleted and become
unrecognizable, they reveal an event’s hidden implications. In the
process, the elements of ‘local’ lose their specificity, attaining
instead a universal significance and vice versa. Marking a shift from his
earlier paintings and its linguistic concerns, which dealt with a world as
seen through the pages of history that tells its stories through the images
of metaphors, his recent works deal with the kind of devised ‘glimpses’
of a much larger, unresolved stories of immediate happenings.
This
distinctive stylistic treatment, which makes Santhosh’s paintings
recognizable without being predictable, subsumes three cardinal elements:
first, a mode of representation that has erroneously been termed
photo-realism; second, a tuning of chromatic scale that tends to the
near-monochrome, or more often, bi-chrome; and third, an incremental
transfiguration of the material, by degree and detail, that is all the more
shocking for its unobtrusiveness. It is this mysterious undertone, which
prevents Santhosh’s paintings from being generic.
The
artist is regularly featured in Christie’s, Sotheby’s, Saffron Art
auctions and Philip de Pury. He lives and works in Mumbai.
Bio-data
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